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Loretta the natural horseman clear communication/visible results
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Hunt Reports / Articles Extensive Cavalry Knowledge Makes Guide a True Treasure by AERON MACK HYNES, For Middleburg Life (Created: Sunday, December 14, 2008 2:57 PM EST) A twig snaps nearby, and suddenly he is wide awake, listening. It’s just starting to get light. He quietly peels back his blanket and peers out across the misty fields and nearby woods. One of the horses stomps its foot, and then goes back to snoozing on the picket line. As the mists begin to rise and the birds begin to chatter, he is struck by the beauty of this land. Taking stock of this warm June morning, he gets up and begins to make breakfast for the others. The Virginia cavalry would have slept on this very spot, and Todd Kern wouldn’t have it done any other way. Kern and his group are on an overnight expedition, following in the footsteps of Civil War cavalrymen. Looking around Welbourne Farm and across to Goose Creek, it’s easy to imagine that this is the same view the Virginia and Carolina troops would have seen when they camped here in the mid-1800s. Today, Kern strives to give his groups an historically accurate experience of what it would have been like to be in the Virginia Cavalry of that time, complete with horses in authentic cavalry tack, period dress, and meals of seasonally grown and available food which would have been eaten by the troops. This goes beyond re-enactment; they are living the past. To call Kern a Civil War buff would be like saying Tiger Woods is a pretty good golfer. He is a walking encyclopedia of all things cavalry, specifically of the Civil War era. Growing up near Winchester, his childhood was filled with stories from his father about John Mosby, Robert E. Lee and Stonewall Jackson. As Kern grew older he read everything there was to read about the Civil War, especially the local history and the cavalry. After college, he worked as a curator and manager for Civil War museums. Already an accomplished horseman, he began to get involved with re-enactments, particularly cavalry re-enactments. But because Kern was so knowledgeable about the history of the period, he became disappointed with the inaccuracies of the events he participated in. He yearned for a more authentic experience, an insight into what the soldiers felt living in the saddle for days or weeks. After more research into what it was really like to "live in the saddle," he started doing his own tours, focusing on a more historically accurate experience. It was around this time that a friend invited Kern to try foxhunting. He was hooked instantly. He began to understand how foxhunting and cavalry were linked, and why many of the major players in the Civil War’s cavalry were avid fox hunters. "Foxhunting and the cavalry have many similarities," says Kern. "You have your advance (the huntsman and hounds), flankers and scouts (whippers-in), main column (first field), logistics (second field or car toppers). You leave from a camp not knowing where you will end up, and one must be able to read terrain and traverse broken country, often at speed. Once the battle is joined (or quarry struck), the action takes on a life of it’s own: spontaneous, fast-paced and covering a lot of ground. You lose people and horses in the fray, and must continue. Foxhunting taught the cavalry officers how to think on their feet, read their opponent, and overcome obstacles on the fly." That "is precisely why many foxhunters became good cavalry officers, such as Richard Henry Dulany, who had formed the Piedmont pack by 1840 and became lieutenant colonel of the 7th Virginia Cavalry in the war," Kern said. Col. Dulany also started the Upperville Colt and Horse Show in 1857, the oldest horse show in America. "Horsemanship was an important part of day-to-day life in the 19th century," says Kern. "The reason the Southern cavalry dominated the northern cavalry early in the war was precisely because the southerners were such experienced horsemen,"Kern continues. "It was very much a horseback society. Between foxhunting, racing and farm work, they knew not only how to ride, but often knew everything about the care and upkeep of their horses. To be in the Confederate cavalry, one had to own and bring one’s own horse. The northern cavalry was at a huge disadvantage because they did not live the same type of lifestyle; their horses were issued to them by the army, and often the men didn’t even know how to ride." Through his work doing reenactments and hosting benefit rides for the Snickersville Turnpike Association, Kern met Nat Morison of Welbourne, and they became fast friends. Morison and his family have not only been here for eight generations, Morison is a direct descendant of Colonel Richard Dulany, and continues to reside in the family’s ancestral home. Through his friendship with Morison, Kern was able to offer his clients an even more authentic, not to mention beautiful, experience at Welbourne. "To see this area on horseback is to really experience it in it’s fullest. This is how life was back then, and to have Nat welcome me so unconditionally made it all the more special. Riding through Welbourne, you can really understand what life was like 150 years ago. This is truly an experience you can’t get anywhere else." Kern offers custom-tailored rides from spring through fall, and will book groups from two to ten people or more. He offers everything from a trail ride along old cavalry haunts ending with a boxed lunch at historic Goose Creek bridge (site of part of the battle of Upperville), to an overnight camp-out with dinner cooked over an open fire, to a weekend package including an overnight stay at Welbourne. Whatever your preference, you can rest assured you will receive a fully authentic and unforgettable experience. Tour costs range from $150 to $750 and up for weekend packages. Participants can bring their own horses, or Kern will provide them. All are guaranteed to be regaled with fascinating stories about the characters of the Civil War at no additional charge. To book a tour or get more information about riding through history, contact Kern at (540) 722-7219, or e-mail him at valhallastables@earthlink.net. |
Enjoy!
Rider Fitness Tip of the Month: Teaching Your Body New Patterns
By Heather Sansom
Exercises to teach your body new patterns to improve your riding.
Do you ever find yourself wishing there was a more direct link between your brain and your body parts? You know what to do: you’ve studied it, you can see it in other riders, your coach has reminded you a hundred times. It’s just that the road between what your brain knows, and what your body actually does must be under construction or washed out because your body does not seem to be getting it. When this happens, riders often exteriorize the problem with statements about how the horse is not doing what he is told. Most of the time, close observation reveals that the horse is doing what he is told, it just isn’t what the rider thinks.
I just got back from a clinic half way across the country from where I live and normally work. With 18 riders, it was arguably the largest single clinic day I’ve ever done- and an excellent opportunity to spot some trends. Riders ranged from early teens to late middle age, and from relative beginners in their discipline, to fairly advanced. Most were dressage riders, but we had two Western riders, and a former hunter and former Event rider.
Once you are standing in the arena dust working with a horse and rider, it does not seem to matter what corner of the planet you are on: our bodies and brains work the same way. Our bodies and our horse’s bodies interact the same way, regardless of our discipline or saddle preference because of basic biomechanics.
Observing a sampling of riding abilities as broad as this, condensed into one day has a similar effect on me as my experience scribing at dressage shows. It’s like a condensed version of the training year (or several years), and a really great opportunity to spot trends and patterns in rider development. This particular clinic was, well, almost a clinical opportunity in the scientific sense because so many of the common variables affecting riders were not present. I could eliminate footing, horse quality, saddlefit and cold weather as factors. All the riders had horses with acceptable conformation for the task, had gone through saddlefitting, rode on a nice surface in a well heated arena.
An Equifitt clinic is a little different than a standard riding clinic in that instead of focusing on the horse’s training through the rider, the focus is on the way the riders’ bodies are going and influencing their horses movement. As you know, the interaction between the rider and horse can be influenced negatively by poor saddle construction or fit. When analyzing a rider’s posture and body usage, poor saddle fit can throw the analysis off. In this particular clinic, I had the rare opportunity to work with riders who had all gone through saddle-fitting, which eliminated saddle fit as a factor affecting their posture and performance.
The coaches and instructors also taught from a well rounded perspective with classical riding principles. The riders also had frequent exposure to clinic opportunities with international and high performance coaches. So, what I was watching their bodies do had little to do with the instruction quality or access to knowledge. Their ears were hearing the right things, and their saddles were putting them in the right position to ride correctly. The footing was excellent, peers were supportive, horses had appropriate conformation for the work, and the arena was heated so not even cold weather, horse suitability or footing could be blamed for the various compensating patterns and biomechanic inefficiencies I was observing. There were simply gaps between will and execution.
We carry the body we have into our ride. In the September issue of Dressage Today, Charles de Kunffy said that the horse cannot go better than the rider will allow. The rider’s body can block or allow the horse- or even more hopefully, lead the horse to better movement than he would do on his own naturally. The rider detracts or helps the horse through posture, stamina and strength, tightness/joint mobility, and body usage (movement patterns).
Body usage is a simplified way to talk about kinesthetic abilities of proprioception and muscle recruitment and movement patterns. Proprioception is like perception, but related to your sense of where you are in space. You could simply call it body awareness. High level athletes typically have a very high natural proprioceptive ability, but it is something that can be improved through training.
People who practice ball sports have a high degree of proprioception which allows them to move their bodies in relation to the game object very precisely. Conditioning coaches for these sports develop exercises to improve foot or hand and eye co-ordination. Gymnastics and skate are two other sports that require a high degree of proprioception. From a rider’s perspective, proprioception means knowing not only where your body parts are (seat, limbs), but also where they are relative to the horse (a calf a hair behind the girth, a seat bone moving in the upward half of the elliptical cycle following your horse’s hind leg motion). Your degree of proprioception has a very big impact on your effectiveness as a rider.
Firing patterns, or movement and recruitment patterns, are what your body does in response to or in pro-active leadership of your horse’s movement. As you can appreciate when you try and execute a movement that is difficult for you, there is much more to achieving the result you want than the actual aids. It’s how you get your body into and out of position, and the side effects of whether you do so efficiently (soft, supple and accurate) or inefficiently (unclear to the horse, tensing other areas). An example could be the way a very talented rider seems to naturally do everything from the core, vs an amateur rider that tends to ride from seat and legs. Unless they have training in dance, martial arts or pilates, or are an advanced athlete in another sport, many riders initiate signals from legs and hands without core engagement.
Proprioception and firing patterns are often at the basis of a disconnect between will and execution. An example could be the rider who is sitting a trot to the right, and the horse is having difficulty bending. The rider is not conscious of the fact that their pelvis is actually pointing off the circle to the left. This is a proprioceptive issue. What the rider does to correct a problem could show an inefficient movement pattern. For example, a rider with a twist in the hip will likely have oblique muscles which are weaker on one side than the other. The rider feels straight. When they go to adjust, they may have difficult simply adjusting the hips because the connection to the weak muscle area is weak. The muscle does not turn on the way it should. So the rider will frequently try to achieve the desired result through a compensating pattern such as adjustment of the shoulders instead.
Read more at www.equisearch.comHeather Sansom is the author of rider fitness ebooks Complete Core Workout for Rider, and a regular columnist in several equestrian publications including Dressage Today. Equifitt.com offers personalized coaching through clinics and convenient online coaching available anywhere. Clinics available include fitness, yoga and fitness, and sport-psychology and fitness. You can get a free subscription to monthly rider fit tips, or download the ebooks at Equifitt.com.
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